Our deaf, schizophrenic uncle S.

William Pfaff, a writer who wrote about European-American relations and the challenges of perceived unchallenged US global leadership well before the Iraq induced and war-blogged “transatlantic rift”, may have indeed listened to Carly Simon when he wrote his not too favorable review of Zbigniew Brzezinski’s election year foreign policy summary “The Choice: Global Domination or Global Leadership” for the latest issue of the New York Review of Books.

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In Search of A Lost Time

I don’t know if one day when historians come to examine what exactly happened (or should I say what went wrong) with the EU they will be able to identify that defining moment, the decisive hour, when everything went sailing down the river. If they are so able I wouldn’t mind a quick bet that it might be sometime about now. The ideal of the EU, it seems to me, is being blown away before our very eyes. Maybe the fault is with the politicians, maybe it is with the institutions, maybe it is with all of us: but this cannot be like this. Failure to advance a consensus on reform and the constitution cannot (or at least should not) let us fall back into our old ways of cynical cutting up the cake, power politics and triple alliances. We have, as I have been trying to suggest, a Euro which is about to fall apart between the competing pressures of Northern stringency (the Netherlands) and Southern laxity (Italy), while what is being proposed here will do nothing to help whatsoever.
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Those Perfidious Frenchmen

It is too early to grasp the real aftermath of 9-11 in Hollywood, but some trends are more obvious than others. Couple of last year’s major Hollywood productions indicate that the major change is afoot in American film industry, closely resembling shifts in American foreign policy resulting from 9-11.

The changes are very visible for those who paid attention to clich?s in 1990s Hollywood films, especially those dealing with films’ villains. Some films – like Braveheart, Michael Collins and Patriot ? were more explicit than others, but in those times almost all villains were British, people with heavy British accents or at least people played by renowned British actors.
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